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"And you really mustn't think us such very big people," says Geoffrey, in a deprecating tone, "because we are any thing but that, and, in fact,"—with a sharp contraction of his brow that betokens inward grief,—"there is rather a cloud over us just now." It is a triumph, if Mona only knew it, but she is full of sad reflections, and is just now wrapped up in mournful thoughts of Nicholas and little Dorothy. Misfortune seems flying towards them on strong swift wings. Can nothing stay its approach, or beat it back in time to effect a rescue? If they fail to find the nephew of the old woman Elspeth in Sydney, whither he is supposed to have gone, or if, on finding him they fail to elicit any information from him on the subject of the lost will, affairs may be counted almost hopeless. When morning came he rose and wandered away, and whenever he met any of the animals he asked if they could tell him where the Thunder lived. The animals laughed, and most of them would not answer..
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"Yes, I recollect; they are from the 'Winter's Tale.' I think," says Mona, shyly; "but you say too much for me." "When I bring you to my home," says Geoffrey, "I shall have you painted just in that gown, and with a spinning-wheel before you; and it shall be hung in the gallery among the other—very inferior—beauties." "Do you remember the evening you taught me the country dance that I said was like an old-fashioned minuet? And what an apt pupil I proved! I really think I could dance it now. By the by, my mother never saw one danced. She"—apologetically—"has not been out much. Let us go through one now for her benefit." "Well, so she is; and yet I suppose our expressions are dissimilar. Look here," says Geoffrey, suddenly, as though compelled at the last moment to give her a hint of what is coming. "I want to tell you about her,—my mother I mean: she is all right, you know, in every way, and very charming in general, but just at first one might imagine her a little difficult!".
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